Presentation Ideas - Week 5
I was looking at printing at least 10 or 12 images in a formal looking way, so that you can tell each set of images has a connection and you wont confuse them with the other images.
Tuesday, 27 October 2015
Wednesday, 21 October 2015
week 4 - Portfolio
Week 4 - Portfolio
Genre: Macro, Fine Arts/Creative Fine art photography
Why i changed
I was happy with my previous shoots but wasn't fully satisfied so after i saw Aaron Mcleans work 'Abundance' i instantly fell in love with the idea and my interpertation of this project which is a connection between us, Humans and Nature its self.
Plan for photoshoot:
I plan to try some Macro photography . I want to try and capture some connections between plant textures and peoples skin, hair, clothing, I want to have the connection that were apart of nature; That were made up of the same textures. I borrowed the 100mm macro lens and am going to shoot over the weekend. I plan to use the forest, a local duck pond and a reserve. I want to keep the dark background look, i could do this by picking the plant/flower and setting it up against a black backdrop. i want to use ambiant light as well.
inspiration
I want to take inspiration from Aaron Mclean's work, he's a New Zealander who has done macro photography. The images below are from his project 'Abundance'. I feel like Aaron was trying to get the idea that seeds, comparing them to people, Can continue to grow in abundance even though in this case the plants would die but the seeds go on and start again. Same with humans, if we die then our children will still go on in 'Abundance'
http://aaronmclean.com/abundance/
My Photoshoot
Genre: Macro, Fine Arts/Creative Fine art photography
Why i changed
I was happy with my previous shoots but wasn't fully satisfied so after i saw Aaron Mcleans work 'Abundance' i instantly fell in love with the idea and my interpertation of this project which is a connection between us, Humans and Nature its self.
Plan for photoshoot:
I plan to try some Macro photography . I want to try and capture some connections between plant textures and peoples skin, hair, clothing, I want to have the connection that were apart of nature; That were made up of the same textures. I borrowed the 100mm macro lens and am going to shoot over the weekend. I plan to use the forest, a local duck pond and a reserve. I want to keep the dark background look, i could do this by picking the plant/flower and setting it up against a black backdrop. i want to use ambiant light as well.
inspiration
I want to take inspiration from Aaron Mclean's work, he's a New Zealander who has done macro photography. The images below are from his project 'Abundance'. I feel like Aaron was trying to get the idea that seeds, comparing them to people, Can continue to grow in abundance even though in this case the plants would die but the seeds go on and start again. Same with humans, if we die then our children will still go on in 'Abundance'
http://aaronmclean.com/abundance/
My Photoshoot
f/9.0 Shutter:1/100 ISO 6400 I dont like this photo as much cause theres not much of a way to link it to anything but i like the contrast on the lower arm. |
Tuesday, 20 October 2015
Semester 2 - Week 1 - Introduction To Portfolio
Pitch for portfolio
1, What is the Genre?
- I want to use the creative fine arts, portraiture, fashion kinda genre's
2, What techniques and style will you incorporate for these photographs?
- I want the photographs of someone to have a twisted/creepy fictional feel to them but not heavily edited, I want them to feel real. Im wanting to use a slow shutter speed and maybe a wide-ish DOF, I will use a mixture of close crops and far crops. I want to use some props and shoot one person. I also want to do some fashion shoots or portraitures.
3, How will you approach research for this project?
- I will try to look at more books and youtube for tips on how to make photos look twisted/creepy and how to create creative fine arts photos.
4, What is your plan for your first three weeks?
- I want to hopefully secture a model by week 2 and i want to start one of my first photoshoots in week 2. I then want to have another photoshoot in week 3.
Pitch for portfolio
1, What is the Genre?
- I want to use the creative fine arts, portraiture, fashion kinda genre's
2, What techniques and style will you incorporate for these photographs?
- I want the photographs of someone to have a twisted/creepy fictional feel to them but not heavily edited, I want them to feel real. Im wanting to use a slow shutter speed and maybe a wide-ish DOF, I will use a mixture of close crops and far crops. I want to use some props and shoot one person. I also want to do some fashion shoots or portraitures.
3, How will you approach research for this project?
- I will try to look at more books and youtube for tips on how to make photos look twisted/creepy and how to create creative fine arts photos.
4, What is your plan for your first three weeks?
- I want to hopefully secture a model by week 2 and i want to start one of my first photoshoots in week 2. I then want to have another photoshoot in week 3.
week 4 garth badger
Garth Badger Visit Response
Garth Badger is heralded as one of the New Zealand’s leading image makers shooting across a broad range of subjects including advertising, fashion, sports and music.
Multidisciplinary, his visual aesthetic blends seamlessly between still photography and moving imagery. His work has aired on television across Australia and New Zealand, launched music careers, opened fashion shows and featured on websites worldwide.
Garth’s work exposes a distinct natural feel that allows his subjects to be captured in a way that feels confident and effortless. Central to his work is imagery that captures people’s stories and tells it in the most powerful way.
One film directors he mentioned was Lars Von Trier, who created quite dark and dreamy movies, but i really like his use of lighting. His lighting is kinda film novae which i like cause of the dark contrasting and shadows.
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This image is kinda disturbing but i like the how the people stand out against the dark contrasting background. It makes me wonder what could really be under all those branches. This image |
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This image of his is very chiaroscuro and i lie how the more you stare at it the more people become clear. |
Response
I really like Lars use of dark contrasting images, My response images are based on his use of contrast and mysteriousness.
I really like Lars use of dark contrasting images, My response images are based on his use of contrast and mysteriousness.
Wednesday, 14 October 2015
Contextualisation self directed
Contextualisation self directed - portfolio
1,Who took the photo and why?
- This photo was taken by me for one of my photoshoots.
2, What is their ethnicity and does this influence the work?
- Im NZ/Europein and that does not influence my work, I love to work with anybody.
3, When and where did they take this photo?
- This photo was taken at kariotahi Beach near were i live at about 4ish in the evening.
4, How is the work presented?
- This work is only on my computer for the mean time But it would be nice to do something with them.
5, Where are you viewing this work and how does this affect your reading of it?
- Im veiwing the work on a computer screen and i feel that i'd get a better reading if it was printed large and pinned on a wall or something.
Contextualise someones else's photo - portfolio
This photograph should relate to image research done for your portfolio project.
1, Who took the photo and why?
- This photo "Greek Goddess" was taken by a wedding photographer, Jose Villa. This photo was shoot for a wedding.
2, What is their ethnicity and does this influence the work?
- He is Mexican and his ethnicity does not influence this work
3, When and where did they take this photo?
- This photo was taken July 20th 2012 for a wedding, but im not sure where it was shot
4, How is the work presented?
- The work is on his website, along with a bunch of other wedding shoots he's done.
http://josevillablog.com/samuelle-couture/
5, Where are you viewing this work and how does this affect your reading of it?
- I viewd it first on Pinterest, and then on his main website. It would of been nice to see them in real life as prints but viewing them on the computerdoesnt really change how i read it.
1,Who took the photo and why?
- This photo was taken by me for one of my photoshoots.
2, What is their ethnicity and does this influence the work?
- Im NZ/Europein and that does not influence my work, I love to work with anybody.
3, When and where did they take this photo?
- This photo was taken at kariotahi Beach near were i live at about 4ish in the evening.
4, How is the work presented?
- This work is only on my computer for the mean time But it would be nice to do something with them.
5, Where are you viewing this work and how does this affect your reading of it?
- Im veiwing the work on a computer screen and i feel that i'd get a better reading if it was printed large and pinned on a wall or something.
Contextualise someones else's photo - portfolio
This photograph should relate to image research done for your portfolio project.
1, Who took the photo and why?
- This photo "Greek Goddess" was taken by a wedding photographer, Jose Villa. This photo was shoot for a wedding.
2, What is their ethnicity and does this influence the work?
- He is Mexican and his ethnicity does not influence this work
3, When and where did they take this photo?
- This photo was taken July 20th 2012 for a wedding, but im not sure where it was shot
4, How is the work presented?
- The work is on his website, along with a bunch of other wedding shoots he's done.
http://josevillablog.com/samuelle-couture/
5, Where are you viewing this work and how does this affect your reading of it?
- I viewd it first on Pinterest, and then on his main website. It would of been nice to see them in real life as prints but viewing them on the computerdoesnt really change how i read it.
week 3 portfolio t2
Week 3 portfolio T2
Genre: Creative fine arts/portraiture
plan for photoshoot
I want to try something different but still try shooting a subject, so this time im doing a still shoot after seeing a wedding photographers work. my plan is to go to Kariotahi beach around the evening and do the shoot from up on the cliffs. Im handmaking my own dress with fabric from spotlight and im going to try and make my model look part of the land kind of thing. For this shoot i want capture the beach behind her and the cliffs that run along the beach and im going to use the wind to make her look elegant.
Insperation:
Jose Villa is my insperation for this shoot, He is a wedding/portraiture photographer from U.S.A and i love this elegant and beautiful images. the photos below are from one of his wedding shoots called "Greek Goddess"
Why i changed
As much as i liked the first shoot's images i wanted to try an actual portraiture/fashion shoot, I took Insperation from Jose Villa this time.
The photos below had to be all brightened cause the weather want good and they were really dark.
Genre: Creative fine arts/portraiture
plan for photoshoot
I want to try something different but still try shooting a subject, so this time im doing a still shoot after seeing a wedding photographers work. my plan is to go to Kariotahi beach around the evening and do the shoot from up on the cliffs. Im handmaking my own dress with fabric from spotlight and im going to try and make my model look part of the land kind of thing. For this shoot i want capture the beach behind her and the cliffs that run along the beach and im going to use the wind to make her look elegant.
Insperation:
Jose Villa is my insperation for this shoot, He is a wedding/portraiture photographer from U.S.A and i love this elegant and beautiful images. the photos below are from one of his wedding shoots called "Greek Goddess"
Why i changed
As much as i liked the first shoot's images i wanted to try an actual portraiture/fashion shoot, I took Insperation from Jose Villa this time.
My Photos
The photos below had to be all brightened cause the weather want good and they were really dark.
Monday, 12 October 2015
DT2 - Kingsize Studios visit week 2
Kingsize specialises in problem solving for the professional photographer, & film maker, whether it be studio or location shoots anywhere in NZ or around the world. We regularly ship gear to the South Island or overseas.
Kingsize also has studios that you can book and use for a number of shoots, They also lend out gear and accessories to photographers and other.
One of the photographers mentioned was Aaron Mclean, whos work 'Abundance' caught my eye. This work stood out to cause they were simple everyday things you find lying around in the garden and he captures the detail in the seeds from so close, with the use of a macro lens. I also like the way he uses the black background to make the objects stand out. I couldnt find any specific information about this work, but my interpretation is the idea that seeds can continue to spread even after a plant has died, that seeds can continue to spread into an abundance of seeds.
He used a variety of close crops and some photos fill the frame more than others, He also uses a range of narrow and medium DOF.
From This Research
From this research i found Damon Clarke, who's also a macrophotograher. Damon Clarke uses macrophotography to reveal the beauty and intricate details of nature for everyone to enjoy. He is recognized internationally for his work which is on display in private, corporate and hospitality collections throughout North America, Europe, and Australia. As he reveals "I try to capture poignancy and gesture in my subjects. I want to connect people to the small world that is all around us and remind them of the smaller beauty that is so often missed. I try to bring happiness, awe or quiet contemplation into peoples lives."
Damon's work consists of close crops and narrow DOF's. Unlike Aaron's work, Damon loves to capture bright and happy colours. He said that ambiant light is important to his photos, along with shapes and form (shape of flowers, were to postion the images in the frame).
Response
27 Sackville Street, Ponsonby, Auckland
Kingsize specialises in problem solving for the professional photographer, & film maker, whether it be studio or location shoots anywhere in NZ or around the world. We regularly ship gear to the South Island or overseas.
Kingsize also has studios that you can book and use for a number of shoots, They also lend out gear and accessories to photographers and other.
One of the photographers mentioned was Aaron Mclean, whos work 'Abundance' caught my eye. This work stood out to cause they were simple everyday things you find lying around in the garden and he captures the detail in the seeds from so close, with the use of a macro lens. I also like the way he uses the black background to make the objects stand out. I couldnt find any specific information about this work, but my interpretation is the idea that seeds can continue to spread even after a plant has died, that seeds can continue to spread into an abundance of seeds.
He used a variety of close crops and some photos fill the frame more than others, He also uses a range of narrow and medium DOF.
From this research i found Damon Clarke, who's also a macrophotograher. Damon Clarke uses macrophotography to reveal the beauty and intricate details of nature for everyone to enjoy. He is recognized internationally for his work which is on display in private, corporate and hospitality collections throughout North America, Europe, and Australia. As he reveals "I try to capture poignancy and gesture in my subjects. I want to connect people to the small world that is all around us and remind them of the smaller beauty that is so often missed. I try to bring happiness, awe or quiet contemplation into peoples lives."
Damon's work consists of close crops and narrow DOF's. Unlike Aaron's work, Damon loves to capture bright and happy colours. He said that ambiant light is important to his photos, along with shapes and form (shape of flowers, were to postion the images in the frame).
Response
27 Sackville Street, Ponsonby, Auckland
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