Thursday, 30 July 2015

Artist Research Week 2 - Ansel Adams








Ansel Adams was born on February 20, 1902, in San Francisco, California. Adams rose to prominence as a photographer of the American West, particularly Yosemite National Park, using his work to promote conservation of wilderness areas. His iconic black-and-white images helped to establish photography among the fine arts.Adams’ professional breakthrough followed the publication of his first portfolio,Parmelian Prints of the High Sierras, which included his famous image “Monolith, the Face of Half Dome.” The portfolio was a success, leading to a number of commercial assignments.

Adams taught himself the piano, which would become his early passion. In 1916, following a trip to Yosemite National Park, he also began experimenting with photography. He learned darkroom techniques and read photography magazines, attended camera club meetings, and went to photography and art exhibits. He developed and sold his early photographs at Best’s Studio in Yosemite Valley.


Between 1929 and 1942, Adams’ work and reputation developed. Adams expanded his repertoire, focusing on detailed close-ups as well as large forms, from mountains to factories. He spent time in New Mexico with artists including Alfred Stieglitz, Georgia O’Keeffe and Paul Strand. He began to publish essays and instructional books on photography. During this period, Adams joined photographers Dorothea Lange and Walker Evans in their commitment to affecting social and political change through art. Adams’ first cause was the protection of wilderness areas, including Yosemite. After the internment of Japanese people during World War II, Adams photographed life in the camps for a photo essay on wartime injustice.
Weeks before the attack on Pearl Harbor in 1941, Adams shot a scene of the moon rising above a village. Adams re-interpreted the image—titled “Moonrise, Hernandez, New Mexico”—over nearly four decades, making over a thousand unique prints that helped him to achieve financial stability. Ansel adams was influenced by Pual Strand, one of the first 'straight photographers'. 
First, his photos are generally very sharp, with a huge depth of field. In fact, he belonged to a group called "f/64"  with the specific goal of ensuring everything in the photos was in sharp focus due to the small apertures they used.

Other than being inspired an having large or medium format camera's what did he do?
Adams liked to control the depth of field, by adjusting the film plane and the lens, with the relationships of objects in the frame, with tilt and rise and fall movements.  Doing these things, he was able to alter the perspective to what he desired, controlling rise movements or increasing depth of field by making the lens standard tilt down.






No comments:

Post a Comment